|
Bio
Resume
/ Contact
Artist
Statement
Photos
Thanks and Acknowledgements
| |
Resume
MARY JO BOLE
bole.1@osu.edu 146 Hopkins Hall
614-292-2127 128 N. Oval
Mall
614-292-5072 Columbus,
Ohio 43210
ARTIST IN RESIDENCE
| 2008 |
Artist in Industry Residency, sponsored by JM Kohler Arts Center, at the Kohler Factory, Kohler, Wisconsin |
| 2001-8 |
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized) |
| 2007 |
Artist in Residence, Pilchuck Glass School, Stanwood, Washington
Experimental/testing residency: enamel on steel, KVO Industries, Santa Rosa, California
Experimental/testing residency, Camp Tintype, Dundee, New York
|
2005 |
Residency at Knust Press, Nijmegen, The Netherlands (9 days) |
2004 |
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized) Dresden Artist in Residence Exchange Program, The Greater Columbus Arts Council, Columbus, Ohio |
2005 |
Residency at Knust Press, Nijmegen, The Netherlands (9 days) |
2004 |
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized)
Dresden Artist in Residence Exchange Program, The Greater Columbus Arts Council, Columbus, Ohio |
2003/04 |
Dedouch Monument Plaque Company, Chicago, Illinois (self-organized) |
2003 |
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized) |
2002 |
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized)
Headlands Center for the Arts, Sausalito, California (sponsored by The Ohio Arts Council) |
2001 |
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized) |
2000 |
Artist in Residence; Sanitary ware “Gustavsberg” Factory, Stockholm, Sweden
Artist in Residence; Rossato Co. SRL, Vicenza, Italy (tombstone monument plaques) |
1999 |
Artist in Residence; Women’s Studio Workshop, Rosendale, New York (Andy Warhol Foundation Grant) |
1998 |
Artist in Residence; Knust (part of Extrapool), Nijmegen, The Netherlands |
1997 |
Residency at New Castle Refractory, New Castle, Pennsylvania (self-organized) |
1996 |
Artist in Residence; Knust (part of Extrapool), Nijmegen; The Netherlands |
1994 |
Artist in Residence; The Clay Studio; Philadelphia, Pennsylvania |
1993 |
Artist in Resident Europees Keramisch Werkcentrum ‘S- Hertogenbosch, The Netherlands |
1992 |
Artist in Resident; Jiesia Bone China Factory; Kaunas, Lithuania |
1991 |
Invited Artist; Soviet / United States / Baltic States Symposium at Dzintari Arts Institute; Dzintari, Latvia |
1988/89 |
Artist in Residence; John Michael Kohler Arts Center at the Kohler Factory, Kohler, Wisconsin |
1988 |
Artist in Residence; Watershed Brickyards, Edgecomb, Maine |
1983 |
Artist in Residence, Ceramics; Indiana University; Bloomington, Indiana; Spring Semester |
LECTURES, VISITING ARTIST
| 2009 |
Lecture, Tyler School of Art, Philadelphia, Pennsylvania |
| 2008 |
Lecture, Kenyon College, Gambier, Ohio |
| 2007 |
Visiting Artist Lecture, Department of Art, University of Colorado, Boulder, Colorado |
| 2006 |
Visiting Artist Lecture, Penn State Univesity, State College, Pennsylvania |
| 2005 |
Visiting Artist, Seward Park, Seattle, Washington (2 days) |
| 2005 |
Lecture, University of Washington, Seattle, Washington |
| 2004 |
Lecture, Dresden, Germany (for Art Academy students)
Lecture, Otterbein College, Westerville, Ohio |
| 2003 |
Lecture, Visiting Artist, Clemson University, Clemson, South Carolina |
| 2002 |
Lecture, Sanoma State College, Sanoma, California
Lecture, University of California, Berkeley, California
Lecture, Visiting Artist, California College of Arts and Crafts, Oakland, California
Lecture, University of California, Davis, California
Lecture, Visiting Artist, Ohio University, Athens, Ohio |
| 2001 |
Lecture, Visiting Artist, The Cleveland Institute of Art, Cleveland, Ohio
Lecture, Visiting Artist, Cranbrook Academy, Bloomfield Hills, Michigan
Lecture, Visiting Artist, University of New Mexico, Albuquerque, New Mexico |
| 1999 |
Lecture; Rhode Island School of Design, Providence Rhode Island
Lecture and workshop; Women’s Studio Workshop, Rosendale, New York |
| 1997 |
Lecture and workshop; Arrowmont School, Gatlinburg, Tennessee |
| 1996 |
Lecture and workshop; The College of Wooster; Wooster, Ohio
Lecture and workshop; Kent State University; Kent, Ohio
Lecture and critiques; The University of Washington; Seattle, Washington, (In conjunction with interview invitation) |
| 1995 |
Lecture and critiques; The Chicago Art Institute; Chicago, Illinois
Lecture; The University of Minnesota; Minneapolis, Minnesota |
| 1994 |
The Forum Lecture; Philadelphia Museum of Art; Philadelphia, Pennsylvania |
| 1993 |
Lecture; University of Illinois; Edwardsville, Illinois
Lecture; University of Massachusetts, Darmouth; New Bedford, Massachusetts
Lecture; Art Academy, Tilburg; The Netherlands |
| 1992 |
Lecture; University of Arizona; Tucson, Arizona |
| 1991 |
Lecture and two week workshop; Arrowmont School of Arts and Crafts; Gatlinburg, Tennessee
Lecture; University of Illinois; Urbana, Illinois
Lecture; NCECA (National Council for Education, Ceramic Arts); Tempe, Arizona |
| 1990 |
Lecture and three week workshop; Haystack Mountain School; Deer Isle, Maine |
| 1989 |
Lecture; Kent State University; Kent, Ohio
Lecture; Sanford Gallery; Clarion University; Clarion, Pennsylvania |
| 1988 |
Lecture; John Michael Kohler Arts Center, Sheboygan, Wisconsin
Lecture, Central Michigan University, Mount Pleasant, Michigan |
| 1987 |
Lecture and Glaze Workshop; Nova Scotia College of Art and Design; Halifax, Nova Scotia
Lecture and Demonstration; Dayton Art Institute; Dayton, Ohio |
| 1986 |
Lecture, Demonstration, and Glaze Workshop; University of Minnesota; Twin Cities, Minnesota,
Lecture and Glaze Workshop, Summer School; Alfred University; Alfred, New York
Lecture; Chicago Art Institute; Chicago, Illinois |
| 1985 |
Lecture; Eastern Michigan University; Ypsilanti, Michigan
Lecture; Rhode Island School of Design; Providence, Rhode Island
Lecture and Glaze Workshop; Massachusetts College of Art; Boston, Massachusetts |
| 1984 |
Lecture; The College of Wooster; Wooster, Ohio |
| 1983 |
Lecture; University of Indiana; Bloomington, Indiana |
1979 |
Two-day Workshop and Lecture; Cleveland State University; Cleveland, Ohio
|
SOLO EXHIBITIONS
| 2009/10 |
"Purge Incomplete", Eastern State Penitentary Historic Site, Philadelphia, Pennsylvania |
| 2008 |
"Through The Hourglass", Kenyon College, Gambier, Ohio |
| 2006 |
"Terse, Tender", Feinkünst Kruger Gallery, Hamburg, Germany |
| 2005 |
"Dear Little Twist of Fate": Drawings, Bookworks, and Sculpture, Arnoff Center for the Arts, Weston Art Gallery, Cincinnati, Ohio |
| 2002 |
“Dear
Little Twists of Fate”, Seigfred Hall, School of Art, Ohio University,
Athens, Ohio |
| 2001 |
“Relics & Reliqueries”,
William Busta Gallery, Cleveland, Ohio |
| 2000 |
Solo
Exhibition - The Barth Galleries, Columbus, Ohio |
| 1996 |
“The
Moody Pete Bathroom show”; Acme Art Co. : Columbus, Ohio |
| 1995 |
Ann
Nathen Gallery; Chicago, Illinois |
| 1994 |
“Mary’s
Monument’s”, Europees Keramisch Werkcentrum; ‘ S-Hertogenbosch;
The Netherlands |
| 1993 |
“My
Yard” Installation in Gallery, B; The Wexner Center for the Performing
and Visual Arts; The Ohio State
University; Columbus, Ohio |
| 1992 |
Objects
Gallery; Chicago, Illinois
Gallerija
Langas; Vilnius, Lithuania |
| 1991 |
Spaces
Gallery; Cleveland, Ohio |
| 1990 |
“The
Watcher Closet” Bathroom Installation, Acme Art Co. Columbus, Ohio |
| 1989 |
“Sculpture
and Drawing”; Sanford Gallery; Clarion University, Clarion, Pennsylvania |
| 1987 |
“Recent
Work”; Kenyon College; Gambier, Ohio |
| 1987 |
“Recent
Work”; The Clay Place; Pittsburgh, Pennsylvania |
| 1983 |
“Recent
Work”; Impressions Gallery; Boston, Massachusetts |
SELECTED GROUP EXHIBITIONS AND AWARDS
| 2009 |
"Of Other Spaces" curated by James Voorhees, Columbus College of Art and Design, Columbus, Ohio |
| 2008 |
"Reimagining the Distaff Toolkit" curated by Rickie Solinger (travels for two years), The Bennington Museum, Bennington, Vermont |
| 2007 |
"Evolution/Impact" curated by Sara Johnson, The Riffe Center, Columbus, Ohio; The Southern Ohio Museum, Portsmouth, Ohio |
| 2006 |
"Bad Drawing: Mistaken, Misbehaving, Malevolent, Awful" curated by Mark Harris, DAAP Galleries, College of Art, University of Cincinnati, Ohio |
| 2005 |
“Animal
Instincts”, Baltimore Clayworks, Baltimore, Maryland
“Animal
Instincts”, Gudelsky gallery, School of Art and Design, Montgomery College,
Silver Spring, Maryland
“A
Matter of Place”, Pomerene Center for the arts, Coshocton, Ohio
“A
Tale to Tell”, John Michale Kohler Arts Center, Sheboygan, Wisconsin |
| 2004 |
“A
Sense of Identity: Contemporary Ceramic Art”, Indiana University,
Indianapolis and, Purdue University, Fort
Wayne, Indiana
“Made
of Brick by Brick”, curated by Beth Coleman, The Ohio Art League, Columbus,
Ohio
|
| 2003 |
“The
Vitrified Image”, International Invitational curated by Paul Scott
(UK), Hyde Art Gallery, Grossmont College,
El Cajon, California
“21st Century Ceramics in the USA and Canada”, Columbus
College of Art & Design, Cinzanni Center, Columbus, Ohio
“Are
you sitting comfortably”, The Water Closet Workshop, The Bowes Museum,
England, The Collins Gallery, Glasgow, Scotland, The Hatton Gallery, Newcastle
University, England
|
| 2002 |
“Connections:
Ohio Artists Abroad” organized by the Ohio Arts Council, Curated
by Susan Channing, Riffe Gallery, Columbus, Ohio, (Catalogue),
Spaces Gallery, Cleveland and Weston Art Gallery, Cincinnati, Ohio
“Materials
Speculations”, The H&R Building, The Kansas City Art Institute,
Kansas City, Missouri, (Catalogue Essays by Donald Kuspit and Roger
Brown)
|
| 2001 |
“Taking
Measure” 50 American Artists (NCECA) World Ceramic Exposition,
Korea (Catalogue)
“Petite
Morte”, The Barth Galleries, Columbus, Ohio
The
Light Factory, Charlotte, North Carolina
|
| 2000 |
10th
Year Anniversary Exhibition, The Northern Clay Center, Minneapolis,
Minnesota (Catalogue)
Watercloset
Workshop, exhibitions in Sweden: Gustavsbergs Porslinsmuseum
/ Konstfack, Vita Havet / Rohsska Museet, Goteborg /
Runda Huset, Gustavsberg (Catalogue)
Political
Work, The Clay Studio, curated by Gail Brown, Philadelphia, Pennsylvania
|
| 1999 |
New
Work: Three Person Exhibition, Lynn Mayhew Gallery, Humphrey Art
Hall, Ohio Wesleyan University, Delaware, Ohio
“Displacement”,
Three Person Exhibition, Wooster Art Museum, Wooster, Ohio
“Made
in Ohio”, RPA at Smith Brothers Hardware Building, (in conjunction
with NCECA)
|
| 1998 |
“Howling
at the edge of a Renaissance”, Spaces and Alternative Art in Cleveland,
(The Moody Pete Bathroom Show), Cleveland, Ohio (Catalogue)
|
| 1996 |
“Explorations
in Clay”; Akron Art Museum; Akron, Ohio
“Ecstasy,
Sickness and Confusion: Examples of Travel Art”; The Columbus Art League; Columbus,
Ohio
|
| 1995 |
“Vital
Passages”; The Works Festival, Edmonton, Alberta, Canada
“Majolica/Maiolica”;
The Northern Clay Center; Saint Paul, Minnesota
The
Forum, “Dreams and Journeys” Two Person Exhibition; The Clay Studio;
Philadelphia, Pennsylvania
|
| 1991 |
Lill
Street Gallery; Chicago, Illinois
“New
Art Forms”; Navy Pier; Chicago, Illinois (in conjunction with Objects
Gallery and Lill Street
Gallery)
Northern
Arizona University; Exchange Exhibition with the United States and Soviet Union
“New
and Improved”; Acme Art Co.; Columbus, Ohio
Swidler
Gallery; Detroit, Michigan
|
| 1990 |
“Main
Stream/Hidden Stream”; Emily Davis Gallery; Akron University; Akron,
Ohio
“Selected
Ohio State Faculty Exhibition”, Contemporary Ohio Ceramics and Printmaking;
Fort Hayes
Visual Art Gallery; Columbus, Ohio
|
| 1989 |
“Responses
to the Urban and Industrial Landscape: Photography and Sculpture”;
School of Art Gallery; Kent State University;
Kent, Ohio
“Coffee
and Tea Service”; New Stone Age Gallery; Los Angeles, California
|
| 1988 |
Artists
of the Governor’s Residence Art Collection; Columbus, Ohio
“Expression
in Color; Ceramics”; New Jersey Center of the Visual Arts; Summit, New
Jersey
“Color,
Form and Function”; two-person Exhibition; Central Michigan University
Art Gallery, Mount
Pleasant, Michigan
|
| 1988 |
“Cleveland
May Show”; Cleveland Museum of Art; Cleveland, Ohio. Honorable
Mention, Crafts
|
| 1987 |
“What’s
New in American Ceramics: Al and Mary Shands’ Collection”;
J.B. Speed Art Museum;
Louisville, Kentucky
“Cleveland
May Show”; Cleveland Museum of Art; Cleveland, Ohio
|
| 1987 |
Three-person
Show; Spaces Gallery; Cleveland, Ohio
|
| 1986 |
Two-person
Exhibition; Jane Harsook Gallery; Greenwich House Pottery; New
York
|
| 1985 |
“Domo
Show”; Spaces Gallery; Cleveland, Ohio (Pedestal Sink and Bathroom
Humor Tiles)
“Contemporary
American Ceramics: Twenty Artist” Newport Harbor, Art Museum; Newport
Beach, California.
(Organized by Karen McCready for Independent Curators Inc.)
Timothy
Burns Gallery; St. Louis, Missouri
|
| 1984 |
“A
Passionate Vision-Selections from the Daniel Jacobs Collection”;
DeCordova Museum, Lincoln, Massachusetts
“Sculpture
Invitational” College of Wooster Art Museum; Wooster, Ohio
|
| 1983 |
“Works
Off Walls; Exhibition 280"; Huntington Galleries; Huntington, West
Virginia
“Contemporary
Clay Sculpture: Selections from the Daniel Jacobs Collection”;
Heckscher Museum; Huntington, New York
“Local
Flavor”; Cleveland State University Art Gallery; Cleveland, Ohio
|
| 1982 |
“Cleveland
May Show”; Cleveland Museum of Art; Cleveland, Ohio (Sculpture
Award)
|
| 1981 |
“Cleveland
May Show”; Cleveland Museum of Art; Cleveland, Ohio
|
| 1980 |
“Cleveland
May Show”; Cleveland Museum of Art; Cleveland, Ohio (Honorable
Mention in Sculpture)
|
GRANTS
| 2008 |
Level 1 College of the Arts Grant, Ohio State University, Columbus, Ohio |
| 2007 |
Project Development Grant, The Eastern State Penitentiary Historic Site, Philadelphia, Pennsylvania
Excellence Award Grant, The Ohio Arts Council, Columbus, Ohio
Level 1 College of the Arts Grant, Ohio State University, Columbus, Ohio |
| 2005 |
International
Travel Grant, College of the Arts, The Ohio State University, Columbus,
Ohio
|
| 2004 |
Ohio
Arts Council Project Grant, Columbus, Ohio
|
| 2003 |
Action
Grant, (Spring) College of the Arts, The Ohio State University,
Columbus, Ohio
Level
I Grant, (Autumn) College of the Arts, The Ohio State University, Columbus,
Ohio
Action
Grant, College of the Arts, The Ohio State University, Columbus, Ohio
|
| 2002 |
Level
II Grant, College of the Arts, The Ohio State University, Columbus,
Ohio
Individual
Fellowship Grant, The Greater Columbus Arts Council, Columbus,
Ohio
Money
for Women/Barbara Deming Memorial Fund Inc., New York, New York
|
| 2001 |
Professional
Development / Action Grant Award, College of the Arts, The Ohio
State University
|
| 2000 |
Professional
Development / Action Grant Award, Level I, Level II, Travel Grant,
College of the Arts, The Ohio State
University
Ohio
Arts Council Individual Fellowship Grant (in the Visual Arts)
|
| 1999 |
Andy
Warhol Foundation Grant thru Woman’s Studio Workshop, Rosendale,
New York
|
| 1998 |
Faculty
Development Grant, OSU College of the Arts
|
| 1996 |
Travel
Grant; College of the Arts; The Ohio State University; Columbus,
Ohio
|
| 1995 |
Emergency
Grant; College of the Arts; The Ohio State University; Columbus,
Ohio
Emergency
Grant; College of the Arts; The Ohio State University; Columbus, Ohio
Level
II Research Grant; College of the Arts; The Ohio State University; Columbus,
Ohio
Regional
Artist’s Project Grant Program (NEA) Administered; through Randolph Street
Gallery, Chicago, Illinois)
|
| 1994 |
Professional
Development Grant; The Ohio Arts Council; Columbus, Ohio
|
| 1992 |
Funding
for the exhibition “My Yard”; The Wexner Center; Columbus,
Ohio
|
| 1991 |
University
Small Grant; Office of Research; The Ohio State University; Columbus,
Ohio
|
| 1989 |
Ohio
Arts Council Individual Fellowship Grant; Columbus, Ohio
|
| 1985 |
Ohio
Arts Council Individual Fellowship Grant; Columbus, Ohio
|
| 1984 |
Ohio
Arts Council Individual Fellowship Grant; Columbus, Ohio
|
| 1983 |
Cleveland
Foundation; Cleveland, Ohio (as Guest Curator, responsible for a grant
received to do a color catalogue
for “Local Flavor”, Cleveland State University Art Gallery,
Cleveland, Ohio
|
| 1980 |
Ohio
Arts Council Individual Fellowship Grant; Columbus, Ohio
|
REVIEWS / ARTICLES
| 2005 |
“Arts
Reach: Department of Art at Work around the Globe”, Pg 3.
January 6, 2005, On Campus, The Ohio State University, Columbus,
Ohio
|
| 2004 |
Mary
Jo Bole by Ann Bremner, Sculpture Magazine, New York City, NY
|
| 2003 |
“Mortality
and the Immortal” by Glenn R. Brown. Ceramic Art and Perception,
Issue 54, pgs 77-80, Australia
|
| 2002 |
The
Kansas City Star, Kansas City, Missouri, “Craft is a given, Concept
is lay”, by Marcus Cain, pg 33, Review of Material Speculations,
H&R Block Artspace, Kansas City Art Institute
|
| 2000/1/2 |
Articles relating to various exhibitions of the work from The Water Closet Workshop:
Varmdo Tidning, Sweden, 2000
Observer Sverige, Stockholm, Sweden, 2001 (3 articles), Arbetarbladet, 2001
“Sund svalls tidming”, 2001
“Kristianstadsbladet”, Kristianstad, Sweden, 2001
“Piteatidmingen”, Sweden, 2002 |
| 2000 |
Other
Paper, Columbus, Ohio, Sept 7 - 13 issue, pg 20 By Rob Harvilla
Columbus
Alive,
Columbus, Ohio by G.A. Benton, October 5 issue, pg 19
|
| 1999 |
Dialogue, Columbus,
Ohio, Jan/Feb issue, pg 46 By Kitty McManus Zirco
|
| 1998 |
Free
Times, Cleveland, Ohio, February 4 - 10 issue; Cover 8 pgs. 12
- 13 By Amy Braken Sparks “The Woods”
|
| 1996 |
Columbus
Alive, Columbus, Ohio July 17-23 issue; pg. 12. By Kim Leddy “Aesthetic
Antics”
The
Columbus Dispatch,
Columbus, Ohio, Sunday, July 28, Issue; pg 8F By Jacqueline Hall “Beauty,
Creativity
Mark Feats in Clay”
Columbus
Alive, Columbus, Ohio; June 18-25 issue; pg. 12. By Kim Leddy “Dog
Days”
|
| 1996 |
Ceramic’s
Monthly; Columbus, Ohio; May issue; pgs. 22-24, by Ruth Butler “News
and Retrospect”
Akron
Beacon Journal, Akron, Ohio; February 11; pg. E-4, by Dorothy
Shinn.”Feats
of Clay from Ohio”
The Plain Dealer, Cleveland,
Ohio; February 18; pg. J-3, by Steven Litt “Individualistic
Voices in Clay Speak to eye, Mind”
The
Columbus Dispatch, Columbus; Ohio February 11; Visual Arts, section
|
| 1995 |
The
Star Tribune, Twin Cities, MI.; September 23; pg., E-1, by Mary
Abbe, “Sculpture, Still Life fills
Galleries”
The Plain Dealer, Cleveland,
Ohio; November 8; pg. J-5, by Michael Drexler, “Ohio Arts
Council awards grants to 9 in Region”
|
| 1993 |
Columbus
Alive, Columbus, Ohio; September 1-2; cover and pg. 11, by Laurie
von Endt, “M.J. Bole’s Yard of
Graves”
The
Columbus Dispatch, Columbus; Ohio, August 15; pg. H -10, by Leslie
Constable “Meditations on Death Rich in Gentle, Universal Symbols”
The
Associated Press, New York, July 2-5; Art section and Photo section.
The
Columbus Dispatch, Columbus, Ohio; April 18; pg. C-9, by Leslie Constable, “New
Art Gallerie’s
First exhibition strong on its mix of local talent”
|
| 1992 |
Respublika,
Vilnius, Lithuania, June 9, pg. 9; by Dalia Karatajiene,”Porcelain
Mittens from Mary”
7
Meno Dienos, (7 Days of Art) Vilnius, Lithuania, May 12; Interview
with Lolita Jablonskiene, “Fit and Misfit an
interview with Mary Jo Bole”
Lietuvoi
Aidas, (State Newspaper), Vilnius, Lithuaia, June 6; pg.45.
Literatura
ir Menos, (Weekly “Literature and Art”) Vilnius Lithuania,
June 6; pg. 2
|
| 1991 |
Literatura
un Maksla, (Literature and Art), Riga, Latvia, Nov 27; pg 13, by
Ines Baranovska
Neatkariga,
Riga, Latvia, November
16; front page, by Ilze Steinfelde.
The
Columbus Dispatch, Columbus,
Ohio, January 15; Arts section, by Jacqueline Hall.
The
Cleveland Plain Dealer, Cleveland, Ohio, June 4; pg. 3-4, by Steven Litt.
|
| 1990 |
The
Columbus Dispatch,
Columbus, Ohio, August 26; pg. F-7, by Jacqueline Hall, “Sensitivity
Holds Exhibit
Together”
|
| 1988 |
The
New York Times, New York, March 20; by Patricia Malarcher, “Ceramics:
Expression thru Color”
Ceramics
Monthly, Columbus, Ohio, December issue; pg. 62-63, by Annie Cantillon, “New
and Retrospect” |
PUBLICATIONS / CATALOGUES
| 2009 |
"Tapestries: Women Weaving Our World", Catalogue, Shawnee State University, Portsmouth, Ohio
Interview pp. 20-31 and cover
|
| 2009 |
"Of Other Spaces" Catalogue, Columbus College of Art and Design, Columbus, Ohio
Pages 22-27 |
| 2008 |
"Confrontation Ceramics" by Judith Schwartz, A&C Black, London, UK |
| 2006 |
"Dear Little Twist of Fate" (Sculpture, Drawings, and Bookworks) and Essay by Glen R. Brown
"A Poetry of Odd Opposition", 20 pages, published by the Weston Art Gallery, The Aranoff Center, Cincinnati, Ohio
Weston Art Gallery 2005/06 Exhibition Season, Cininnati, Ohio |
| 2005 |
"Shaped by a Lineage" (pamphlet) by Peter Olson, Seward Park, Seattle, Washington |
| 2004 |
Morbid
Curiosity, Issue 8, “Lasting Images by Bole”, Pgs 54-56,
Automotism Press, San Francisco, California
|
| 2003 |
“21st
Century Ceramics”, Catalogue, The Columbus College of Art and Design,
Columbus, Ohio
|
| 2002 |
“Material
Speculations” Essays by Donald Kuspit and Glen R. Brown (Catalogue
published by N.C.E.C.A., Erie, Colorado)
Connections:
Ohio Artists Abroad, organized by The Ohio Arts Council (Catalogue
published by The Ohio Arts Council)
“Year
of the Artist”, Ohio Arts Council’s Riffe Gallery (Book of
postcards) (Published by The Ohio Arts Council)
|
| 2001 |
“Taking
Measure” American Ceramic Art at the New Millennium World Ceramic
Exposition, Korea (Catalogue published by N.C.E.C.A., Erie, Colorado)
“Ten
Years in Retrospect” (A History and Teaching Collection) The Northern
Clay Center, Minneapolis, Minnesota
“Morbid
Curiosity”, Issue 5, Automatism Press, San Francisco, California
“Watercloset
Workshop” Rohsska Museet, Goteborg, Sweden
“Die
Kunst und das clo” pgs. 28-33, Keramik Magazin, Februar/Marz Issue,
Berlin, Germany
|
| 2000 |
“Contemporary
Ceramics”, Susan Peterson, Watson Quotill, U.K
“Painted
Clay: Graphic Arts and the Ceramic Surface”, Paul Scott, A & C
Black, UK
|
| 1999 |
Dialogue,
Voicing the Arts, Columbus, Ohio, July/August Issue, “Reflections” section
“The
New Maiolica”, Matthias Ostermann (Canada) University of Pennsylvanian
Press
|
| 1998 |
“Howling
at the Edge of a Renaissance, Spaces and Alternative Art in Cleveland,” Spaces
Gallery Cleveland, Ohio
Morbid
Curiosity, Issue 2, “Smiling at Death: The Fine Art of Mary Jo
Bole” (Interview), Automatism Press,
San Francisco, California
|
| 1995 |
“Deaths
Garden”, Automatism Press, Loren Rhoads, Editor.
|
| 1993 |
Stone
Magazine, (The American Monument Association); Volume 106; Number
12; pgs. 18-22; “In Her Yard” by Susan Porter.
American
Craft Museum, New York, slide set “Political Ceramics”; organized
by Mark Harris.
|
| 1991 |
Neue
Keramik, September/October issue; pg 303; “News out of U.S.A.”
Ragnarok #11;
edited by Steve Wainstead, Cleveland, Ohio; “First Impressions
from the Land that Loves
Riddles” (a visit to Latvia and Lithuania); pgs. 13-20.
|
| 1985 |
Newport
Harbor t Museum, “Contemporary American Ceramics, Twenty Artists’ pgs.
14-15; May; by Karen
McCready, guest curator, for I.C.I., New York.
|
| 1984 |
The
College of Wooster Art Museum, Wooster, Ohio, “Sculpture Invitational” ;
Curated by Walter Zirco.
American
Ceramics, Spring issue; Portfolio Section |
CONSULTATION
| 2001 |
Sackner
Collection, feasibility for artists books |
| 1996 |
The
Ohio Historical Museum, Columbus, Ohio, for Museum Branch Development, Columbus,
Ohio
|
PUBLISHED ARTIST’S
BOOKS
| 2005 |
MJ’s
Daily Spy History, Knust Press, Nijmegen, The Netherlands, Edition
400
|
| 1998 |
Thankful
Subjects, Knust Press, Nijmegen, The Netherlands, Edition 230
|
| 1998 |
Splitting
Pictures, collaboration between Bole and Berry van
Boekel (with 30 invited artists), Edition 350
|
| 1996 |
Rust/Rest;
Knust Press, Nijmegen, The Netherlands, collaboration between Mary
Jo Bole, Berry van Boekel and
Birdie Thaler, Edition 400
|
COVER ART FOR RECORDS,
RECORDINGS
| 2002 |
Cheater
Slicks, “Your Last Record”, In The Red Label, Los Angeles,
California
|
| 2000 |
Pram, “Owl
Service” Domino Recording Label, London England
|
| 1999 |
Cheater
Slicks, “Refried Dreams” In The Red Label, Los Angeles, California
|
| 1983 |
“Sounds
of Cleveland” (part of “Local Flavor” catalogue),
Cleveland, Ohio
|
COLLECTIONS
| 2005 |
Pamela & Steve Hootkin Collection, New York, New York
The
Musuem of Modern Art (Artist Book Collection Archive) New York,
New York
|
| 2004 |
The
Gustavsberg Factory Collection, Stockholm, Sweden
|
| 2000 |
The
Northern Clay Center, “The Teaching Collection” Minneapolis,
Minnesota
|
| 1999 |
Shiffler
Collection, Cincinnati, Ohio
|
| 1998 |
The
Museum of Modern Art (Artists Book Collection Archive) New York,
New York
The
Getty Museum (Artists Book Collection) Los Angeles, California
|
| 1997 |
Shiffler
Collection, Cincinnati, Ohio
|
| 1994 |
The
Clay Studio; Philadelphia, Pennsylvania
|
| 1992 |
Gallerija
Langas; Vilnius, Lithuania
|
| 1991 |
Pushkin
Museum; Moscow, Soviet Union
Foreign
Art Museum; Riga, Latvia
Dottie
Campbell; Miami, Florida
|
| 1989 |
John
Michael Kohler Arts Center; Sheboygan, Wisconsin
|
| 1988 |
National
City Bank Drawing Commission;
|
| 1986 |
John
Sinker
|
| 1985 |
Bob
Pfannebecker
|
| 1984 |
Al
and Mary Shands
|
| 1982 |
Daniel
Jacobs
|
PROFESSIONAL ORGANIZATION
AFFILIATIONS, JURYING
| 2004 |
Juror, N.C.E.C.A. Student Juried Exhibition, Baltimore, Maryland
Who’s
Who in Fine Arts, Higher Education, http//fineArts.academickys.com
|
| 2002 |
Juror,
for The Greater Columbus Arts Council (Arts Fair), Columbus, Ohio
|
| 2001 |
Invited
Panelist N.C.E.C.A., Charlotte, North Carolina, “Vessel: Relevance”
|
| 1999 |
Elected
to Board of Re-Art, Solid Waste Authority, Columbus, Ohio
|
| 1998/99 |
N.C.E.C.A.
(National Council on Education for the Ceramic Art), On-Site Co-Chair
(2 year term)
Juror,
McKnight Fellowship, Northern Clay Center, Minneapolis, Minnesota
|
| 1993 |
Juror,
Programming, Acme Art Company, Columbus, Ohio
|
| 1991 |
Juror,
Programming, Acme Art Company, Columbus, Ohio |
TEACHING
| 2008 |
Full
Professor, Department of Art, The Ohio
State University, Columbus, Ohio |
EDUCATION
| 1982 |
M.F.A.;
New York College of Ceramics at Alfred University; Alfred,
New York |
| 1979 |
B.F.A.,
Cum Laude; University of Michigan; Ann Arbor, Michigan |
|