About
the
artist

Bio

Resume / Contact

Artist Statement

Photos

Thanks and Acknowledgements

 

 
Resume

MARY JO BOLE
bole.1@osu.edu     146 Hopkins Hall
614-292-2127      128 N. Oval Mall
614-292-5072      Columbus, Ohio 43210

 

 

ARTIST IN RESIDENCE

 

2008 Artist in Industry Residency, sponsored by JM Kohler Arts Center, at the Kohler Factory, Kohler, Wisconsin
2001-8 Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized)
2007

Artist in Residence, Pilchuck Glass School, Stanwood, Washington
Experimental/testing residency: enamel on steel, KVO Industries, Santa Rosa, California
Experimental/testing residency, Camp Tintype, Dundee, New York

2005
Residency at Knust Press, Nijmegen, The Netherlands (9 days)
2004
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized) Dresden Artist in Residence Exchange Program, The Greater Columbus Arts Council, Columbus, Ohio
2005
Residency at Knust Press, Nijmegen, The Netherlands (9 days)
2004

Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized)
Dresden Artist in Residence Exchange Program, The Greater Columbus Arts Council, Columbus, Ohio

2003/04
Dedouch Monument Plaque Company, Chicago, Illinois (self-organized)
2003
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized)
2002
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized)
Headlands Center for the Arts, Sausalito, California (sponsored by The Ohio Arts Council)
2001
Residency at Belden Brick Company, Sugar Creek, Ohio (self-organized)
2000
Artist in Residence; Sanitary ware “Gustavsberg” Factory, Stockholm, Sweden
Artist in Residence; Rossato Co. SRL, Vicenza, Italy (tombstone monument plaques)
1999
Artist in Residence; Women’s Studio Workshop, Rosendale, New York (Andy Warhol Foundation Grant)
1998
Artist in Residence;  Knust (part of Extrapool), Nijmegen, The Netherlands
1997
Residency at New Castle Refractory, New Castle, Pennsylvania (self-organized)
1996
Artist in Residence;  Knust (part of Extrapool), Nijmegen; The Netherlands
1994
Artist in Residence; The Clay Studio; Philadelphia, Pennsylvania
1993
Artist in Resident Europees Keramisch Werkcentrum ‘S- Hertogenbosch, The Netherlands
1992
Artist in Resident; Jiesia Bone China Factory; Kaunas, Lithuania
1991
Invited Artist; Soviet / United States / Baltic States Symposium at Dzintari Arts Institute; Dzintari, Latvia
1988/89
Artist in Residence; John Michael Kohler Arts Center at the Kohler Factory, Kohler, Wisconsin
1988
Artist in Residence; Watershed Brickyards, Edgecomb, Maine
1983
Artist in Residence, Ceramics; Indiana University; Bloomington, Indiana; Spring Semester

 

 

 

LECTURES, VISITING ARTIST

 

2009 Lecture, Tyler School of Art, Philadelphia, Pennsylvania
2008 Lecture, Kenyon College, Gambier, Ohio
2007 Visiting Artist Lecture, Department of Art, University of Colorado, Boulder, Colorado
2006 Visiting Artist Lecture, Penn State Univesity, State College, Pennsylvania
2005 Visiting Artist, Seward Park, Seattle, Washington (2 days)
2005 Lecture, University of Washington, Seattle, Washington
2004 Lecture, Dresden, Germany (for Art Academy students)
Lecture, Otterbein College, Westerville, Ohio
2003 Lecture, Visiting Artist, Clemson University, Clemson, South Carolina
2002 Lecture, Sanoma State College, Sanoma, California
Lecture, University of California, Berkeley, California
Lecture, Visiting Artist, California College of Arts and Crafts, Oakland, California
Lecture, University of California, Davis, California       
Lecture, Visiting Artist, Ohio University, Athens, Ohio
2001 Lecture, Visiting Artist, The Cleveland Institute of Art, Cleveland, Ohio
Lecture, Visiting Artist, Cranbrook Academy, Bloomfield Hills, Michigan
Lecture, Visiting Artist, University of New Mexico, Albuquerque, New Mexico
1999 Lecture; Rhode Island School of Design, Providence Rhode Island
Lecture and workshop; Women’s Studio Workshop, Rosendale, New York
1997 Lecture and workshop; Arrowmont School, Gatlinburg, Tennessee
1996 Lecture and workshop; The College of Wooster; Wooster, Ohio
Lecture and workshop; Kent State University; Kent, Ohio
Lecture and critiques; The University of Washington; Seattle, Washington, (In conjunction with interview invitation)
1995 Lecture and critiques; The Chicago Art Institute; Chicago, Illinois
Lecture; The University of Minnesota; Minneapolis, Minnesota
1994 The Forum Lecture; Philadelphia Museum of Art; Philadelphia, Pennsylvania
1993 Lecture; University of Illinois; Edwardsville, Illinois
Lecture; University of Massachusetts, Darmouth; New Bedford, Massachusetts
Lecture; Art Academy, Tilburg; The Netherlands
1992 Lecture; University of Arizona; Tucson, Arizona
1991 Lecture and two week workshop; Arrowmont School of Arts and Crafts; Gatlinburg, Tennessee
Lecture; University of Illinois; Urbana, Illinois
Lecture; NCECA (National Council for Education, Ceramic Arts); Tempe, Arizona
1990 Lecture and three week workshop; Haystack Mountain School; Deer Isle, Maine
1989 Lecture; Kent State University; Kent, Ohio
Lecture; Sanford Gallery; Clarion University; Clarion, Pennsylvania
1988 Lecture; John Michael Kohler Arts Center, Sheboygan, Wisconsin
Lecture, Central Michigan University, Mount Pleasant, Michigan
1987 Lecture and Glaze Workshop; Nova Scotia College of Art and Design; Halifax, Nova Scotia
Lecture and Demonstration; Dayton Art Institute; Dayton, Ohio
1986 Lecture, Demonstration, and Glaze Workshop; University of Minnesota; Twin Cities, Minnesota,
Lecture and Glaze Workshop, Summer School; Alfred University; Alfred, New York
Lecture; Chicago Art Institute; Chicago, Illinois
1985 Lecture; Eastern Michigan University; Ypsilanti, Michigan
Lecture; Rhode Island School of Design; Providence, Rhode Island
Lecture and Glaze Workshop; Massachusetts College of Art; Boston, Massachusetts
1984 Lecture; The College of Wooster; Wooster, Ohio
1983 Lecture; University of Indiana; Bloomington, Indiana
1979

Two-day Workshop and Lecture; Cleveland State University; Cleveland, Ohio

 

 

SOLO EXHIBITIONS       

 

2009/10 "Purge Incomplete", Eastern State Penitentary Historic Site, Philadelphia, Pennsylvania
2008 "Through The Hourglass", Kenyon College, Gambier, Ohio
2006 "Terse, Tender", Feinkünst Kruger Gallery, Hamburg, Germany
2005 "Dear Little Twist of Fate": Drawings, Bookworks, and Sculpture, Arnoff Center for the Arts, Weston Art Gallery, Cincinnati, Ohio
2002 “Dear Little Twists of Fate”, Seigfred Hall, School of Art, Ohio University, Athens, Ohio
2001 “Relics & Reliqueries”, William Busta Gallery, Cleveland, Ohio
2000 Solo Exhibition - The Barth Galleries, Columbus, Ohio
1996 “The Moody Pete Bathroom show”; Acme Art Co. : Columbus, Ohio
1995 Ann Nathen Gallery; Chicago, Illinois
1994 “Mary’s Monument’s”, Europees Keramisch Werkcentrum; ‘ S-Hertogenbosch; The Netherlands
1993 “My Yard” Installation in Gallery, B; The Wexner Center for the Performing and Visual Arts; The Ohio State
University; Columbus, Ohio
1992 Objects Gallery; Chicago, Illinois
Gallerija Langas; Vilnius, Lithuania
1991 Spaces Gallery; Cleveland, Ohio
1990 “The Watcher Closet” Bathroom Installation, Acme Art Co. Columbus, Ohio
1989 “Sculpture and Drawing”; Sanford Gallery; Clarion University, Clarion, Pennsylvania
1987 “Recent Work”; Kenyon College; Gambier, Ohio
1987 “Recent Work”; The Clay Place; Pittsburgh, Pennsylvania
1983 “Recent Work”; Impressions Gallery; Boston, Massachusetts

 

 

SELECTED GROUP EXHIBITIONS AND AWARDS

 

2009 "Of Other Spaces" curated by James Voorhees, Columbus College of Art and Design, Columbus, Ohio
2008 "Reimagining the Distaff Toolkit" curated by Rickie Solinger (travels for two years), The Bennington Museum, Bennington, Vermont
2007 "Evolution/Impact" curated by Sara Johnson, The Riffe Center, Columbus, Ohio; The Southern Ohio Museum, Portsmouth, Ohio
2006 "Bad Drawing: Mistaken, Misbehaving, Malevolent, Awful" curated by Mark Harris, DAAP Galleries, College of Art, University of Cincinnati, Ohio
2005 “Animal Instincts”, Baltimore Clayworks, Baltimore, Maryland
“Animal Instincts”, Gudelsky gallery, School of Art and Design, Montgomery College, Silver Spring, Maryland
“A Matter of Place”, Pomerene Center for the arts, Coshocton, Ohio
“A Tale to Tell”, John Michale Kohler Arts Center, Sheboygan, Wisconsin
2004

“A Sense of Identity: Contemporary Ceramic Art”, Indiana University, Indianapolis and, Purdue University, Fort
Wayne, Indiana
“Made of Brick by Brick”, curated by Beth Coleman, The Ohio Art League, Columbus, Ohio

2003

“The Vitrified Image”, International Invitational curated by Paul Scott (UK), Hyde Art Gallery, Grossmont College,
El Cajon, California
“21st Century Ceramics in the USA and Canada”, Columbus College of Art & Design, Cinzanni Center, Columbus, Ohio
“Are you sitting comfortably”, The Water Closet Workshop, The Bowes Museum, England, The Collins Gallery, Glasgow, Scotland, The Hatton Gallery, Newcastle University, England

2002

“Connections: Ohio Artists Abroad” organized by the Ohio Arts Council, Curated by Susan Channing, Riffe Gallery, Columbus, Ohio, (Catalogue), Spaces Gallery, Cleveland and Weston Art Gallery, Cincinnati, Ohio
“Materials Speculations”, The H&R Building, The Kansas City Art Institute, Kansas City, Missouri, (Catalogue Essays by Donald Kuspit and Roger Brown)

2001

“Taking Measure” 50 American Artists (NCECA) World Ceramic Exposition, Korea (Catalogue)
“Petite Morte”, The Barth Galleries, Columbus, Ohio
The Light Factory, Charlotte, North Carolina

2000

10th Year Anniversary Exhibition, The Northern Clay Center, Minneapolis, Minnesota (Catalogue)
Watercloset Workshop, exhibitions in Sweden: Gustavsbergs Porslinsmuseum / Konstfack, Vita Havet / Rohsska Museet, Goteborg / Runda Huset, Gustavsberg (Catalogue)
Political Work, The Clay Studio, curated by Gail Brown, Philadelphia, Pennsylvania

1999

New Work: Three Person Exhibition, Lynn Mayhew Gallery, Humphrey Art Hall, Ohio Wesleyan University, Delaware, Ohio
“Displacement”, Three Person Exhibition, Wooster Art Museum, Wooster, Ohio
“Made in Ohio”, RPA at Smith Brothers Hardware Building, (in conjunction with NCECA)

1998

“Howling at the edge of a Renaissance”, Spaces and Alternative Art in Cleveland, (The Moody Pete Bathroom Show), Cleveland, Ohio (Catalogue)

1996

“Explorations in Clay”; Akron Art Museum; Akron, Ohio
“Ecstasy, Sickness and Confusion: Examples of Travel Art”; The Columbus Art League; Columbus, Ohio

1995

“Vital Passages”; The Works Festival, Edmonton, Alberta, Canada
“Majolica/Maiolica”; The Northern Clay Center; Saint Paul, Minnesota
The Forum, “Dreams and Journeys” Two Person Exhibition; The Clay Studio; Philadelphia, Pennsylvania

1991

Lill Street Gallery; Chicago, Illinois
“New Art Forms”; Navy Pier; Chicago, Illinois (in conjunction with Objects Gallery and Lill Street Gallery)
Northern Arizona University; Exchange Exhibition with the United States and Soviet Union
“New and Improved”; Acme Art Co.; Columbus, Ohio
Swidler Gallery; Detroit, Michigan

1990

“Main Stream/Hidden Stream”; Emily Davis Gallery; Akron University; Akron, Ohio
“Selected Ohio State Faculty Exhibition”, Contemporary Ohio Ceramics and Printmaking; Fort Hayes Visual Art Gallery; Columbus, Ohio

1989

“Responses to the Urban and Industrial Landscape: Photography and Sculpture”; School of Art Gallery; Kent State University; Kent, Ohio
“Coffee and Tea Service”; New Stone Age Gallery; Los Angeles, California

1988

Artists of the Governor’s Residence Art Collection; Columbus, Ohio
“Expression in Color; Ceramics”; New Jersey Center of the Visual Arts; Summit, New Jersey
“Color, Form and Function”; two-person Exhibition; Central Michigan University Art Gallery, Mount Pleasant, Michigan

1988

“Cleveland May Show”; Cleveland Museum of Art; Cleveland, Ohio. Honorable Mention, Crafts

1987

“What’s New in American Ceramics: Al and Mary Shands’ Collection”; J.B. Speed Art Museum; Louisville, Kentucky
“Cleveland May Show”; Cleveland Museum of Art; Cleveland, Ohio

1987

Three-person Show; Spaces Gallery; Cleveland, Ohio

1986

Two-person Exhibition; Jane Harsook Gallery; Greenwich House Pottery; New York

1985

“Domo Show”; Spaces Gallery; Cleveland, Ohio (Pedestal Sink and Bathroom Humor Tiles)
“Contemporary American Ceramics: Twenty Artist” Newport Harbor, Art Museum; Newport Beach, California. (Organized by Karen McCready for Independent Curators Inc.)
Timothy Burns Gallery; St. Louis, Missouri

1984

“A Passionate Vision-Selections from the Daniel Jacobs Collection”; DeCordova Museum, Lincoln, Massachusetts
“Sculpture Invitational” College of Wooster Art Museum; Wooster, Ohio

1983

“Works Off Walls; Exhibition 280"; Huntington Galleries; Huntington, West Virginia
“Contemporary Clay Sculpture: Selections from the Daniel Jacobs Collection”; Heckscher Museum; Huntington, New York
“Local Flavor”; Cleveland State University Art Gallery; Cleveland, Ohio

1982

“Cleveland May Show”; Cleveland Museum of Art; Cleveland, Ohio (Sculpture Award)

1981

“Cleveland May Show”; Cleveland Museum of Art; Cleveland, Ohio

1980

“Cleveland May Show”; Cleveland Museum of Art; Cleveland, Ohio (Honorable Mention in Sculpture)

 

         

 

GRANTS

 

2008 Level 1 College of the Arts Grant, Ohio State University, Columbus, Ohio
2007 Project Development Grant, The Eastern State Penitentiary Historic Site, Philadelphia, Pennsylvania
Excellence Award Grant, The Ohio Arts Council, Columbus, Ohio
Level 1 College of the Arts Grant, Ohio State University, Columbus, Ohio
2005

International Travel Grant, College of the Arts, The Ohio State University, Columbus, Ohio

2004

Ohio Arts Council Project Grant, Columbus, Ohio

2003

Action Grant, (Spring) College of the Arts, The Ohio State University, Columbus, Ohio
Level I Grant, (Autumn) College of the Arts, The Ohio State University, Columbus, Ohio
Action Grant, College of the Arts, The Ohio State University, Columbus, Ohio

2002

Level II Grant, College of the Arts, The Ohio State University, Columbus, Ohio
Individual Fellowship Grant, The Greater Columbus Arts Council, Columbus, Ohio
Money for Women/Barbara Deming Memorial Fund Inc., New York, New York

2001

Professional Development / Action Grant Award, College of the Arts, The Ohio State University

2000

Professional Development / Action Grant Award, Level I, Level II, Travel Grant, College of the Arts, The Ohio State University
Ohio Arts Council Individual Fellowship Grant (in the Visual Arts)

1999

Andy Warhol Foundation Grant thru Woman’s Studio Workshop, Rosendale, New York

1998

Faculty Development Grant, OSU College of the Arts

1996

Travel Grant; College of the Arts; The Ohio State University; Columbus, Ohio

1995

Emergency Grant; College of the Arts; The Ohio State University; Columbus, Ohio
Emergency Grant; College of the Arts; The Ohio State University; Columbus, Ohio
Level II Research Grant; College of the Arts; The Ohio State University; Columbus, Ohio
Regional Artist’s Project Grant Program (NEA) Administered; through Randolph Street Gallery, Chicago, Illinois)

1994

Professional Development Grant; The Ohio Arts Council; Columbus, Ohio

1992

Funding for the exhibition “My Yard”; The Wexner Center; Columbus, Ohio

1991

University Small Grant; Office of Research; The Ohio State University; Columbus, Ohio

1989

Ohio Arts Council Individual Fellowship Grant; Columbus, Ohio

1985

Ohio Arts Council Individual Fellowship Grant; Columbus, Ohio

1984

Ohio Arts Council Individual Fellowship Grant; Columbus, Ohio

1983

Cleveland Foundation; Cleveland, Ohio (as Guest Curator, responsible for a grant received to do a   color catalogue
for “Local Flavor”, Cleveland State University Art Gallery, Cleveland, Ohio

1980

Ohio Arts Council Individual Fellowship Grant; Columbus, Ohio

 

 

REVIEWS / ARTICLES

 

2005

“Arts Reach:  Department of Art at Work around the Globe”, Pg 3. January 6, 2005, On Campus, The Ohio State University, Columbus, Ohio

2004

Mary Jo Bole by Ann Bremner, Sculpture Magazine, New York City, NY

2003

“Mortality and the Immortal” by Glenn R. Brown. Ceramic Art and Perception, Issue 54, pgs 77-80, Australia

2002

The Kansas City Star, Kansas City, Missouri, “Craft is a given, Concept is lay”, by Marcus Cain, pg 33, Review of Material Speculations, H&R Block Artspace, Kansas City Art Institute

2000/1/2 Articles relating to various exhibitions of the work from The Water Closet Workshop:
Varmdo Tidning, Sweden, 2000
Observer Sverige, Stockholm, Sweden, 2001 (3 articles), Arbetarbladet, 2001
“Sund svalls tidming”, 2001
“Kristianstadsbladet”, Kristianstad, Sweden, 2001
“Piteatidmingen”, Sweden, 2002
2000

Other Paper, Columbus, Ohio, Sept 7 - 13 issue, pg 20 By Rob Harvilla
Columbus Alive
, Columbus, Ohio by G.A. Benton, October 5 issue, pg 19

1999

Dialogue, Columbus, Ohio, Jan/Feb issue, pg 46 By Kitty McManus Zirco

1998

Free Times, Cleveland, Ohio, February 4 - 10 issue; Cover 8 pgs. 12 - 13 By Amy Braken Sparks “The Woods”

1996

Columbus Alive, Columbus, Ohio July 17-23 issue; pg. 12. By Kim Leddy “Aesthetic Antics”
The Columbus Dispatch
, Columbus, Ohio, Sunday, July 28, Issue; pg 8F By Jacqueline Hall “Beauty, Creativity
Mark Feats in Clay”
Columbus Alive, Columbus, Ohio; June 18-25 issue; pg. 12. By Kim Leddy “Dog Days”

1996

Ceramic’s Monthly; Columbus, Ohio; May issue; pgs. 22-24, by Ruth Butler “News and Retrospect”
Akron Beacon Journal, Akron, Ohio; February 11; pg. E-4, by Dorothy Shinn.”Feats of Clay from Ohio”
The Plain Dealer, Cleveland, Ohio; February 18; pg. J-3, by Steven Litt “Individualistic Voices in Clay Speak to eye, Mind”
The Columbus Dispatch
, Columbus; Ohio February 11; Visual Arts, section

1995

The Star Tribune, Twin Cities, MI.; September 23; pg., E-1, by Mary Abbe, “Sculpture, Still Life        fills Galleries”
The Plain Dealer, Cleveland, Ohio; November 8; pg. J-5, by Michael Drexler, “Ohio Arts Council awards grants to 9 in Region”

1993

Columbus Alive, Columbus, Ohio; September 1-2; cover and pg. 11, by Laurie von Endt, “M.J. Bole’s Yard of
Graves”
The Columbus Dispatch,
Columbus; Ohio, August 15; pg. H -10, by Leslie Constable “Meditations on Death Rich in Gentle, Universal Symbols”
The Associated Press,
New York, July 2-5; Art section and Photo section.
The Columbus Dispatch, Columbus, Ohio; April 18; pg. C-9, by Leslie Constable, “New Art  Gallerie’s First exhibition strong on its mix of local talent”

1992

Respublika, Vilnius, Lithuania, June 9, pg. 9; by Dalia Karatajiene,”Porcelain Mittens from Mary”
7 Meno Dienos,
 (7 Days of Art) Vilnius, Lithuania, May 12; Interview with Lolita Jablonskiene, “Fit and Misfit an
interview with Mary Jo Bole”
Lietuvoi Aidas,
(State Newspaper), Vilnius, Lithuaia, June 6; pg.45.
Literatura ir Menos, (Weekly  “Literature and Art”) Vilnius Lithuania, June 6; pg. 2

1991

Literatura un Maksla, (Literature and Art), Riga, Latvia, Nov 27; pg 13, by Ines Baranovska
Neatkariga, Riga, Latvia,
November 16; front page, by Ilze Steinfelde.
The Columbus Dispatch, Columbus, Ohio, January 15;  Arts section, by Jacqueline Hall.
The Cleveland Plain Dealer
, Cleveland, Ohio, June 4; pg. 3-4, by Steven Litt.

1990

The Columbus Dispatch, Columbus, Ohio, August 26; pg.  F-7, by Jacqueline Hall, “Sensitivity Holds Exhibit Together”

1988 The New York Times, New York, March 20; by Patricia Malarcher, “Ceramics: Expression thru Color”
Ceramics Monthly
, Columbus, Ohio, December issue; pg. 62-63, by Annie Cantillon, “New and Retrospect”

 

 

 

PUBLICATIONS / CATALOGUES

 

2009 "Tapestries: Women Weaving Our World", Catalogue, Shawnee State University, Portsmouth, Ohio
Interview pp. 20-31 and cover
2009 "Of Other Spaces" Catalogue, Columbus College of Art and Design, Columbus, Ohio
Pages 22-27
2008 "Confrontation Ceramics" by Judith Schwartz, A&C Black, London, UK
2006 "Dear Little Twist of Fate" (Sculpture, Drawings, and Bookworks) and Essay by Glen R. Brown
"A Poetry of Odd Opposition", 20 pages, published by the Weston Art Gallery, The Aranoff Center, Cincinnati, Ohio
Weston Art Gallery 2005/06 Exhibition Season, Cininnati, Ohio
2005 "Shaped by a Lineage" (pamphlet) by Peter Olson, Seward Park, Seattle, Washington
2004

Morbid Curiosity, Issue 8, “Lasting Images by Bole”, Pgs 54-56, Automotism Press, San Francisco, California

2003

“21st Century Ceramics”, Catalogue, The Columbus College of Art and Design, Columbus, Ohio

2002

“Material Speculations” Essays by Donald Kuspit and Glen R. Brown (Catalogue published by N.C.E.C.A., Erie, Colorado)
Connections: Ohio Artists Abroad, organized by The Ohio Arts Council (Catalogue published by The Ohio Arts Council)
“Year of the Artist”, Ohio Arts Council’s Riffe Gallery (Book of postcards) (Published by The Ohio Arts Council)

2001

“Taking Measure” American Ceramic Art at the New Millennium World Ceramic Exposition, Korea (Catalogue published by N.C.E.C.A., Erie, Colorado)
“Ten Years in Retrospect” (A History and Teaching Collection) The Northern Clay Center, Minneapolis, Minnesota
“Morbid Curiosity”, Issue 5, Automatism Press, San Francisco, California
“Watercloset Workshop” Rohsska Museet, Goteborg, Sweden
“Die Kunst und das clo” pgs. 28-33, Keramik Magazin, Februar/Marz Issue, Berlin, Germany

2000

“Contemporary Ceramics”, Susan Peterson, Watson Quotill, U.K
“Painted Clay: Graphic Arts and the Ceramic Surface”, Paul Scott, A & C Black, UK

1999

Dialogue, Voicing the Arts, Columbus, Ohio, July/August Issue, “Reflections” section
“The New Maiolica”, Matthias Ostermann (Canada) University of Pennsylvanian Press

1998

“Howling at the Edge of a Renaissance, Spaces and Alternative Art in Cleveland,” Spaces Gallery Cleveland, Ohio
Morbid Curiosity, Issue 2, “Smiling at Death: The Fine Art of Mary Jo Bole” (Interview), Automatism Press,
San Francisco, California

1995

“Deaths Garden”, Automatism Press, Loren Rhoads, Editor.

1993

Stone Magazine, (The American Monument Association); Volume 106; Number 12; pgs. 18-22; “In Her Yard” by Susan Porter.
American Craft Museum, New York, slide set “Political Ceramics”; organized by Mark Harris.

1991

Neue Keramik, September/October issue;  pg 303; “News out of U.S.A.”
Ragnarok #11; edited by Steve Wainstead, Cleveland, Ohio; “First Impressions from the Land that Loves Riddles” (a visit to Latvia and Lithuania); pgs. 13-20.

1985

Newport Harbor t Museum, “Contemporary American Ceramics, Twenty Artists’ pgs. 14-15;  May;  by Karen
McCready, guest curator, for I.C.I., New York.

1984 The College of Wooster Art Museum, Wooster, Ohio, “Sculpture Invitational” ; Curated by Walter Zirco.
American Ceramics, Spring issue; Portfolio Section

 

 

 

CONSULTATION

 

2001 Sackner Collection, feasibility for artists books
1996

The Ohio Historical Museum, Columbus, Ohio, for Museum Branch Development,  Columbus, Ohio

 

 

 

PUBLISHED ARTIST’S BOOKS

 

2005

MJ’s Daily Spy History, Knust Press, Nijmegen, The Netherlands, Edition 400

1998

Thankful Subjects, Knust Press, Nijmegen, The Netherlands, Edition 230

1998

Splitting Pictures, collaboration between  Bole and  Berry  van Boekel (with 30 invited artists), Edition 350

1996

Rust/Rest; Knust Press, Nijmegen, The Netherlands, collaboration between Mary Jo Bole, Berry van Boekel and
Birdie Thaler, Edition 400

 

 

COVER ART FOR RECORDS, RECORDINGS

 

2002

Cheater Slicks, “Your Last Record”, In The Red Label, Los Angeles, California

2000

Pram, “Owl Service” Domino Recording Label, London England

1999

Cheater Slicks, “Refried Dreams” In The Red Label, Los Angeles, California

1983

“Sounds of Cleveland” (part of “Local Flavor” catalogue), Cleveland, Ohio

 

 

COLLECTIONS

 

2005

Pamela & Steve Hootkin Collection, New York, New York
The Musuem of Modern Art (Artist Book Collection Archive) New York, New York

2004

The Gustavsberg Factory Collection, Stockholm, Sweden

2000

The Northern Clay Center, “The Teaching Collection” Minneapolis, Minnesota

1999

Shiffler Collection, Cincinnati, Ohio

1998

The Museum of Modern Art (Artists Book Collection Archive) New York, New York
The Getty Museum (Artists Book Collection) Los Angeles, California

1997

Shiffler Collection, Cincinnati, Ohio

1994

The Clay Studio; Philadelphia, Pennsylvania

1992

Gallerija Langas; Vilnius, Lithuania

1991

Pushkin Museum; Moscow, Soviet Union
Foreign Art Museum; Riga, Latvia
Dottie Campbell; Miami, Florida

1989

John Michael Kohler Arts Center; Sheboygan, Wisconsin

1988

National City Bank Drawing Commission;

1986

John Sinker

1985

Bob Pfannebecker

1984

Al and Mary Shands

1982

Daniel Jacobs

 

 

PROFESSIONAL ORGANIZATION AFFILIATIONS,  JURYING

 

2004

Juror, N.C.E.C.A. Student Juried Exhibition, Baltimore, Maryland
Who’s Who in Fine Arts, Higher Education, http//fineArts.academickys.com

2002

Juror, for The Greater Columbus Arts Council (Arts Fair), Columbus, Ohio

2001

Invited Panelist N.C.E.C.A., Charlotte, North Carolina, “Vessel: Relevance”

1999

Elected to Board of Re-Art, Solid Waste Authority, Columbus, Ohio

1998/99

N.C.E.C.A. (National Council on Education for the Ceramic Art), On-Site Co-Chair (2 year term)
Juror, McKnight Fellowship, Northern Clay Center, Minneapolis, Minnesota

1993

Juror, Programming, Acme Art Company, Columbus, Ohio

1991

Juror, Programming, Acme Art Company, Columbus, Ohio

 

 

 

TEACHING

 

2008

Full Professor, Department of Art, The Ohio State University, Columbus, Ohio

 

         

 

EDUCATION

 

1982

M.F.A.; New York College of Ceramics at Alfred University; Alfred, New York

1979

B.F.A., Cum Laude; University of Michigan; Ann Arbor, Michigan